that girl allison

I'm Allison. I see a ton of theatre. I'm a huge fan of Green Day, Ted Leo & the Pharmacists, Weezer, Oasis, Adam Rapp, Emily Giffin, and Shakespeare. I run sometimes, and do yoga always. My life has changed a lot in the last year, so this is my account of it all.

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Posts tagged "porgy and bess"

The New York Times critics released their picks for the Tonys quite early (so it seemed) which also included who they thought were snubbed. These are always fun to read.

I’ve seen almost all of the best musical/play nominees, except for Nice Work If You Can Get It which I still have yet to decide whether or not I want to pay nearly $40 to see it. Gershwin is an American legend, but he’s not anywhere near the top of my list of favorite  composers. So everyone’s anticipation can be put to rest, as I now present to you with my opinions on who was nominated, who I think should win, and who I think was tragically overlooked.

Best Musical: The nominees include Once, NewsiesLeap of Faith, and Nice Work If You Can Get It. Who do I think should win? Once. It is an artistic masterpiece. It is visually stunning, emotionally moving, and the score is one of the best out there. What will win? If Once doesn’t get it, Newsies most certainly will. It has a worthy opponent, but there’s something about Once that strikes a deeper chord with me. I think it’s more universal, plus it needs the win to do well on tour. What should’ve been nominated? Hands down: GhostGhost is visually stunning and I was never bored for one minute of the two and a half hours. Leap of Faith was, with all due respect, a visually horrendous bore. 

Best Play: This category is going to be tough. Each nominee is fantastic: Clybourne ParkVenus in FurPeter and the Starcatcher, and Other Desert Cities. My first instinct is to say that Clybourne Park will take this one, but there is a chance that Other Desert Cities or possibly Peter and the Starcatcher might slide in. Although I absolutely loved Venus in Fur, I don’t think it has touring potential and it’s a limited run, so the award wouldn’t help it in any way. What should have been nominated was The Lyons. I find this show hilarious but maybe not all of the nominating committee has had a Jewish grandmother before. Or Theresa Rebeck’s Seminar definitely deserved a nod as well. (This snubbing was, I think, her punishment for writing Smash.)

Best Book of a Musical: The nominees are Lysistrata JonesOnceNice Work If You Can Get It, and Newsies. Given that Once and Newsies aren’t original books, so to speak, I’m going say that Lysistrata Jones has a pretty good chance of snagging this one much to everyone’s surprise. Is their book the best? No, not at all. The show didn’t work very well on Broadway. Or Newsies could very well start sweeping the awards and take this as well. What should have been nominated? Bonnie and Clyde. Sue me, but I really enjoyed that show and I thought the book was engaging the entire time. 

Best Original Score: The nominees are Bonnie and ClydeOne Man, Two Guv’norsNewsies, and Peter and the Starcatcher. I would love for Bonnie and Clyde to take this one, but it never will because the voters hate Wildhorn too much.  Newsies will probably sweep it because the other two are plays and that would be kind of sad for a play to take Best Original Score. (Though the score in One Man, Two Guv’nors was quite good.) What should have been nominated? Wonderland. (No, just kidding!) I don’t think there were any other truly memorable great scores written in the past season. I don’t remember the music to Lysistrata Jones. But part of me remembers a lot of the music from Newsies being in the movie too, and in that case, Once should also have been able to be nominated for Best Original Score.    

Best Revival of a Play: The nominees include Death of a SalesmanThe Best ManWit, and Master Class. First a huge congratulations is in order to MTC for scoring two nominations in this category. Each one of these nominees was a pleasure to sit through (though you never quite believed that Cynthia Nixon was a scholar in Wit), but I’m going to say that Death of a Salesman gets this one, if the voters don’t decide to be total star-fuckers for ratings and award The Best Man instead. Although there are a fair number of stars in Salesman too, but I just thought Salesman was better than The Best Man. I don’t think there were any shows that should’ve been nominated in this category. 

Best Revival of a Musical: The nominees this year are EvitaFolliesThe Gershwin’s Porgy and Bess, and Jesus Christ Superstar.  Jesus Christ Superstar and Follies were my favorites this year, and I’m going to put my money on Follies winning. It was a favorite this year, but Porgy and Bess was also a beautiful production, though it bored me to tears, and I could see it sneaking in from behind and taking the award.

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I’m late the game, extremely. Considering that Porgy and Bess opened in December at the Richard Rodgers Theatre and it’s now April (well, March when I saw it). I bought a ticket from TDF and finally sat down last week, ready to take it in. I had no idea what Porgy was about, I only knew that it was an operetta and that it was long. Honestly, I had mixed feelings about seeing it. I wanted to see Audra McDonald and Norm Lewis onstage together, but I wasn’t sure this was the show for me. 

Porgy is about a small town in South Carolina in the 1930’s, and two people who meet (Porgy and Bess). Bess is a harlot of sorts and has been with the same abusive boyfriend for a while, so we’re lead to believe. While Porgy is a crippled man who’s a recluse most of the time, though he has a friend here and there. They meet, fall for each other, and the rest is the story.

The score is absolutely gorgeous, especially when sung by McDonald and Lewis, but the script itself left a lot to be desired. It felt slow (although I have to say the show in it’s entirety didn’t actually feel that long - it went by pretty quickly) and I think the topic matter was just a tad boring, maybe dated is the word.

And the ending? Well, that was a let down. It was depressing (but operas are usually depressing, right?).  I’m glad I saw Porgy and Bess, and I think that if you’re a theatre person, you should definitely see it too.