Posts tagged lysistrata jones
I’d heard a lot about the Transport Group’s production of a new musical called Lysistrata Jones over the past year and was able to check it out six months ago when they were performing in a unique space - the basement of the Judson Church alongside Washington Square Park. It was pop-y music, a unique setting (which was probably most of the allure), and an humorous topic (I’m also a fan of the original text - Lysistrata). Did I think it was a good idea to move it to a 1000+ seat Broadway house? No. Absolutely not. It’d get completely lost and the best part about it was that it was set in an actual gym (okay, so it didn’t make for the most comfortable seats, but whatever).
I had tickets to last Saturday night’s performance and tried to clear my head of all preconceived notions about why Lyssie shouldn’t actually be uptown. 
They didn’t change very much from the off-Broadway incarnation except for adding cheesy jokes about Lindsay Nicole Chambers looking like Kathy Griffin (she kind of does), Newt Gingrinch (what?), and an iPhone app. The music is still pop-y and and the show is a burst of energy. We just had no idea why they had so much energy, or what they were singing about, some of the time. The choreography is my favorite aspect of Lyssie, and, of course, Jason Tam, who once again stole my heart and made me want to give him my number after the show (no, I didn’t actually do that). 
Patti Murin, as our protagonist, is a great fit for the role except she’s not that strong of a belter and the score requires that of the character. One of the reviews said her performance is reminiscent of Reese Witherspoon in Legally Blonde or Alicia Silverstone in Clueless and it’s 100% true.  Lindsay Nicole Chambers as the geeky intellectual Robin is the one who plants the idea of withholding sex from the basketball team to Lyssie, and  is also another one of my favorites. She’s hysterical and quite talented. The company members I didn’t like were almost every single one of the basketball team members. I don’t remember disliking them off-Broadway but now they just annoyed me - or maybe it was their characters (the archetypes of jocks, thugs, and every other obnoxious guy you’d find in college was represented onstage). But boy, oh boy, could they certainly dance up a storm. The other thing that bothered me about Lyssie were the cheap, cheesy jokes. They came one after another - it felt overwritten to grab the laughs where ever they could.
Lysistrata Jones’ average ticket price last week was $19.19. Ouch. I don’t think I’ve ever seen a ticket price so low and depressing. On Tuesday the critics surprised everyone (or maybe just me) and praised Lyssie for what it is - a bright, energetic, bubble gum infused pop-y show that might not be an intellectual night at the theatre, but it sure is fun.

I’d heard a lot about the Transport Group’s production of a new musical called Lysistrata Jones over the past year and was able to check it out six months ago when they were performing in a unique space - the basement of the Judson Church alongside Washington Square Park. It was pop-y music, a unique setting (which was probably most of the allure), and an humorous topic (I’m also a fan of the original text - Lysistrata). Did I think it was a good idea to move it to a 1000+ seat Broadway house? No. Absolutely not. It’d get completely lost and the best part about it was that it was set in an actual gym (okay, so it didn’t make for the most comfortable seats, but whatever).

I had tickets to last Saturday night’s performance and tried to clear my head of all preconceived notions about why Lyssie shouldn’t actually be uptown. 

They didn’t change very much from the off-Broadway incarnation except for adding cheesy jokes about Lindsay Nicole Chambers looking like Kathy Griffin (she kind of does), Newt Gingrinch (what?), and an iPhone app. The music is still pop-y and and the show is a burst of energy. We just had no idea why they had so much energy, or what they were singing about, some of the time. The choreography is my favorite aspect of Lyssie, and, of course, Jason Tam, who once again stole my heart and made me want to give him my number after the show (no, I didn’t actually do that). 

Patti Murin, as our protagonist, is a great fit for the role except she’s not that strong of a belter and the score requires that of the character. One of the reviews said her performance is reminiscent of Reese Witherspoon in Legally Blonde or Alicia Silverstone in Clueless and it’s 100% true.  Lindsay Nicole Chambers as the geeky intellectual Robin is the one who plants the idea of withholding sex from the basketball team to Lyssie, and  is also another one of my favorites. She’s hysterical and quite talented. The company members I didn’t like were almost every single one of the basketball team members. I don’t remember disliking them off-Broadway but now they just annoyed me - or maybe it was their characters (the archetypes of jocks, thugs, and every other obnoxious guy you’d find in college was represented onstage). But boy, oh boy, could they certainly dance up a storm. The other thing that bothered me about Lyssie were the cheap, cheesy jokes. They came one after another - it felt overwritten to grab the laughs where ever they could.

Lysistrata Jones’ average ticket price last week was $19.19. Ouch. I don’t think I’ve ever seen a ticket price so low and depressing. On Tuesday the critics surprised everyone (or maybe just me) and praised Lyssie for what it is - a bright, energetic, bubble gum infused pop-y show that might not be an intellectual night at the theatre, but it sure is fun.

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Give it up, Lysistrata!

I read the play Lysistrata during my sophomore year of college (one of the only classical plays I actually read, and liked) and I was excited when I heard Transport Group was bringing this new updated musical version titles Lysistrata Jones to a Greenwich Village church basement gym.  Set at Athens University, the basketball team hasn’t won a game in 30 years and a new transfer to the school, Lysistrata, gets the teams girlfriends to agree to withhold sex until they actually try and win a game.  A friend of mine was covering opening night this past Sunday and invited me to come along.  

The score (by Lewis Flinn) is reminiscent of Legally Blonde, in a good way, and the book (by Douglas Carter Beane) is thorough and good.  The choreography (mixed with class basketball moves, by Dan Knechtges) is thrilling, maybe even breathtaking, to watch as it’s incredibly complex and probably one of my favorite parts.  The sets (by Allen Moyer) are versatile, moving all the time.  

The cast is almost entirely unknown (they had to find actors who could also play basketball - not an easy feat!).  Patti Murin plays Lysistrata Jones and is perky, energetic, moves easily, and she has a great voice.  The other stand-out in the cast was Jason Tam as Xander, the typical college nerd who may fall for our protagonist.  He has a great voice and is an excellent actor.  

In attendance that night were the likes of Barbara Walsch, Jackie Hoffman, Adam Chandler Berat, Bryan Batt, and Charles Busch (not in drag!).  The gym was transformed and looked quite similar to a high school dance after where kegs of beer, soda, and pizza were served.  

The cake was REALLY sweet.

The cast & creative:

Beane and Flinn celebrating their incredibly well received opening night!

I really enjoyed the show and I was happy to see the following morning that they received across the board positive reviews.  Lysistrata Jones may not be deep, but it certainly is fun, and well-written, which is more than you can say for a lot of what’s new in New York this season.  

Lysistrata Jones is playing downtown at the Gym at Judson through June 19th.  Visit Transport Group’s website for more information.  

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New Musical ‘Lysistrata Jones’ is Headed to the Gym ›

I’ve discussed this adaptation a few times with my friends, and I think it will be the play to see in the Spring.  It seems that the spring is going to be A Battle of the Cheerleader Musicals, with Bring It On getting produced on Broadway in addition to this modern adaptation of Lysistrata called Lysistrata Jones, in which cheerleaders withhold sex from the basketball team until they start winning.  

Douglas Carter Beane has adapted the play and is sure to impress with such credits under his belt as the hilarious The Little Dog Laughed (one of my favorite plays that season) as well as the book for Xanadu

The twist is that The Transport Group, which is known for producing plays in unique spaces, is producing Lysistrata Jones on the gym/basketball court of Judson Memorial Church in Greenwich Village.  

Bring It On is scheduled to begin it’s out of town try-out in Atlanta next month.  Lysistrata Jones begins performances in Greenwich Village in May.  I’ll definitely be buying tickets when they go on sale.  

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