that girl allison

I'm Allison. I see a ton of theatre. I'm a huge fan of Green Day, Ted Leo & the Pharmacists, Weezer, Oasis, Adam Rapp, Emily Giffin, and Shakespeare. I run sometimes, and do yoga always. My life has changed a lot in the last year, so this is my account of it all.

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thatgirlallison08 at gmail dot com

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Giveaway alert!
Currently playing at the the Little Shubert Theater in Hell’s Kitchen is a hilarious new comedy about love and healthcare, Under My Skin. The hilarious and lovely Kerry Butler stars in this musical along with film and TV actor Matt Walton. 
Under My Skin takes the dashing CEO of America’s leading healthcare provided, a single mom from Staten Island, and an outrageous twist of faith to make this hilarious new comedy. 
That Girl Allison wants to give you the chance to win a pair of tickets now! Just reblog, like, or tweet a link to this post to enter. Winner will be announced on Monday!






 

Giveaway alert!

Currently playing at the the Little Shubert Theater in Hell’s Kitchen is a hilarious new comedy about love and healthcare, Under My Skin. The hilarious and lovely Kerry Butler stars in this musical along with film and TV actor Matt Walton. 

Under My Skin takes the dashing CEO of America’s leading healthcare provided, a single mom from Staten Island, and an outrageous twist of faith to make this hilarious new comedy. 

That Girl Allison wants to give you the chance to win a pair of tickets now! Just reblog, like, or tweet a link to this post to enter. Winner will be announced on Monday!

 

It’s always hard to pick just five moments of New York theatre a to wrap up a year. But it’s especially difficult when you’ve seen and processed the most recent season so I thought I’d do a Top 10 list.

1. First on this list is obviously Sleep No More, presented by Punchdrunk. I’m glad I got in on this before people caught on to what was going on down in Chelsea. If you’ve gone to see Sleep No More, you know what it’s like and if you haven’t seen it, there’s really no way to explain it without sounding like a crazy person about why it was such an amazing experience. Save up your money and go buy yourself a ticket for 2012.

2. The next thing that instantly came to mind was Once, currently showing at the New York Theatre Workshop. Based on the indie movie of the same name, it’s a touching story of how one girl helps a musician achieve his dreams (and they kinda-sorta fall in love too). This was such a unique piece of theatre because it starts an hour before “curtain” time. The cast, who doubles as the band, is playing, singing, and dancing onstage for an hour before the actually story starts (and don’t worry, you’ll know when the show starts). They announced their transfer to Broadway hours before they opened off-Broadway, which is pretty amazing. It’s Spring Awakening for adults and it’s theme is to not live your life without pursuing your dreams - which is a pretty important one, if you ask me.

3. Next up comes The Hallway Trilogy presented by the Rattlestick Playwrights Theatre and written by my favorite, Adam Rapp, which I just realized I never actually wrote about and that’s probably because there was no way to translate the experience into words. This was a hundred year history of this one hallway from the time of Eugene O’Neil to a time 50 years in the future when New York was disease free and now financially strapped individuals could make money being injected with ‘old fashioned’ diseases in a museum for the rich to come and witness.

4. I still can’t believe that American Idiot closed only this year; it all seems like so much longer ago. Whenever I think back to one of the most ridiculously energetic performances I saw, I immediately think back to February 27th, 2011 - the night John Gallagher Jr., Michael Esper, and Billie Joe Armstrong left the show. It felt like every single person in that theatre was there for those three guys and you could hear the love pouring out from them. It was just a ridiculous and amazing night, one that I will not soon forget.

5. An incredible moment that makes this list happened only last week. A benefit for Royal Family Productions, Anthony Rapp performed a reading of his brother Adam Rapp’s script Nocturne at Symphony Space, a few blocks from where I live on the Upper West Side in a night titled “Rapp Reads Rapp.” Nocturne was one of the few plays of Rapp’s that I had no familiarity with but oh boy is it amazing, and Anthony did an incredible job with it. By the end he was in tears.

6. I thought Thomas Sadowski was pretty good in 2009’s reasons to be pretty but he left me speechless in this season’s Broadway transfer of Other Desert Cities. His character was so complicated and went through so many emotions that I was absolutely exhausted and heart broken watching him from the front row. 

7. When you try to think of the most fantastic actress discovered out-of-the-blue in the last five years, you’d be hard pressed to think of someone more talented of Nina Arianda and her performance in Venus in Fur. Her performance is a tour-de-force and isn’t to be missed. I’m not sure how to use words to describe it actually. It has to be seen and not described. She crashes through the door ten minutes into the script and the whirlwind that she creates onstage never stops.

8. When I think of Norbert Leo Butz, I will always think of him as my first Roger in Rent in 1998. The next moment I’ll think of is his performance in this year’s Catch Me If You Can. Catch Me was a [mostly] bore of a show that had all the makings of what should’ve been a great musical, but the only reason I saw it twice was to watch Mr. Butz. He danced and moved in ways that I didn’t think he could during the song “Breaking All the Rules.” Watching him on the Tony’s, and then win his second Tony, it was a great thing.

9. I missed Boeing Boeing a few years ago and after seeing Mark Rylance in both La Bete and Jerusalem this year, that will forever be one of my great theatre-related regrets. I will still stand my ground that Mark Rylance was even better in La Bete than in Jerusalem, but for the purposes of doing a review of the year of 2011, I’ll talk about his performance in Jerusalem.  Playing a modern day pied piper in England, you loved him, you felt bad for him, you loved listening to his rambling. Like I said back in April, Rylance might be one of the great actors of our day.

10. I’ve been a fan of Jan Maxwell since I worked at Chitty Chitty, Bang Bang in 2005 and I’ve seen almost everything she’s done since. She’s never won a Tony but this just might be her year with her mouth-dropping turn in this season’s revival of Follies. She brings down the house in Act 2 like I’ve never seen her do. I never knew she could dance like she does, and she’s absolutely heartbreaking. Follies isn’t my cup of tea when it comes to musical theatre, but I’d see it again to watch her onstage.   

So, I think that’s it. Honorable mentions go to War Horse (breathtaking, just absolutely mind-blowing), The Normal Heart (after the 2010 reading, this production was magnificent), The Book of Mormon (I’m glad I saw this in previews), How To Succeed in Business Without Really Trying (Mr. Radcliffe blew me away with his moves, and after wanting to see this show revived again for so many years, this is a great production), and The Amoralists (a fantastic theatre company that produces really unique theatrical experiences such as this one and this one). 

I won’t deny the fact that there was a ton of crap produced on and off-Broadway this year, but it’d be silly to neglect to acknowledge the amazing moments that I was fortunate enough to see too. We’ll see what 2012 holds.

photo taken in April 2011

Every couple of years an extremely happy and upbeat musical dances it’s way onto Broadway.  Hairspray and Memphis come to mind most recently.  Catch Me If You Can is the most recent and has all the makings of Hairspray - literally, the same creative team is behind is and it is just as fun.  I was excited to catch one of the last previews (which was also a press performance so it was frozen) because it was a stronger guarantee that Aaron Tveit (as Frank Abignale) and Norbert Leo Butz (as Carl Hanratty) would be present.  I recently watched the movie of the same title and I loved the story but I’d heard mixed things about the musical so I went in nervously.
I hated the way the fourth way came crashing down the audiences head from the very beginning.  Tveit should have been “putting on a show” for Butz, not for the entire audience.  The orchestra is onstage the entire time and Tveit acknowledges them periodically and it was just cheesy.  There were so many references made to putting on a Broadway musical, and all I could think of was, “Yes, I know what I bought a ticket for this morning.  Stop telling me I’m at a show.”  
Catch Me… is filled with flashy dance numbers and show stoppers, but the best show-stopper comes in the middle of Act 1 with the song “Don’t Break the Rules.”  Norbert Leo Butz dances in a way that I didn’t think he was capable of while being a vocally-flawless musical comedy genius.  There was at least a minute of applause after the number concluded and the audience was so enthused that I swore they were about to jump to their feet.  I couldn’t believe this was the same actor I had watched play the jaded “Roger” in Rent eleven years ago.  
Kerry Butler performs the Eleven O’Clock number with “Fly, Fly Away" and although she sounds amazing, overall she is incredibly miscast was Frank’s love interest, Brenda.  Tom Wopat (Abignale Sr.) and Rachel de Benedet (Mrs. Abingnale) are both entertaining and endearing.  Aaron Tveit, as Abignale, is vocally impressive and almost has enough charisma to pull off the turn that DiCaprio took as Abignale years ago in the movie, but he’s just slightly off.  I enjoyed his performance, but certain moments weren’t one hundred percent believable.  
Catch Me… is Hairspray with a better (true) story set to a different genre of music.  You’ll see the same brightly colored sets (David Rockwell), great choreography (Jerry Mitchell), aesthetically-pleasing lighting (Kenneth Posner), as well as an ensemble that is working their asses off.  You may have seen all the tricks that are turned in Catch Me.. before, but at least you won’t be bored while watching them again.  
(photo via)

Every couple of years an extremely happy and upbeat musical dances it’s way onto Broadway.  Hairspray and Memphis come to mind most recently.  Catch Me If You Can is the most recent and has all the makings of Hairspray - literally, the same creative team is behind is and it is just as fun.  I was excited to catch one of the last previews (which was also a press performance so it was frozen) because it was a stronger guarantee that Aaron Tveit (as Frank Abignale) and Norbert Leo Butz (as Carl Hanratty) would be present.  I recently watched the movie of the same title and I loved the story but I’d heard mixed things about the musical so I went in nervously.

I hated the way the fourth way came crashing down the audiences head from the very beginning.  Tveit should have been “putting on a show” for Butz, not for the entire audience.  The orchestra is onstage the entire time and Tveit acknowledges them periodically and it was just cheesy.  There were so many references made to putting on a Broadway musical, and all I could think of was, “Yes, I know what I bought a ticket for this morning.  Stop telling me I’m at a show.”  

Catch Me… is filled with flashy dance numbers and show stoppers, but the best show-stopper comes in the middle of Act 1 with the song “Don’t Break the Rules.”  Norbert Leo Butz dances in a way that I didn’t think he was capable of while being a vocally-flawless musical comedy genius.  There was at least a minute of applause after the number concluded and the audience was so enthused that I swore they were about to jump to their feet.  I couldn’t believe this was the same actor I had watched play the jaded “Roger” in Rent eleven years ago.  

Kerry Butler performs the Eleven O’Clock number with “Fly, Fly Away" and although she sounds amazing, overall she is incredibly miscast was Frank’s love interest, Brenda.  Tom Wopat (Abignale Sr.) and Rachel de Benedet (Mrs. Abingnale) are both entertaining and endearing.  Aaron Tveit, as Abignale, is vocally impressive and almost has enough charisma to pull off the turn that DiCaprio took as Abignale years ago in the movie, but he’s just slightly off.  I enjoyed his performance, but certain moments weren’t one hundred percent believable.  

Catch Me… is Hairspray with a better (true) story set to a different genre of music.  You’ll see the same brightly colored sets (David Rockwell), great choreography (Jerry Mitchell), aesthetically-pleasing lighting (Kenneth Posner), as well as an ensemble that is working their asses off.  You may have seen all the tricks that are turned in Catch Me.. before, but at least you won’t be bored while watching them again.  

(photo via)